Toy Dogs in Art Part I: The Italian Greyhound

By Connie Limon
Fortunately for us, the members of the royal and noble
families of Spain were particularly attached to dogs,
especially toy dogs. Many of the famous painters of the
time painted family portraits which included their dogs.
Works by Velasquez, Murillo and Goya in particular painted
portraits of royal families and their dogs, many of them being,
“toy dogs.”
The walls of Prado in Madrid are covered by portrait after
portrait of dogs and their families or just dogs alone
beautifully painted. Anyone very interested in dogs would
certainly enjoy the experience of surveying the walls of
Prado.
Numerous dogs have served as models for sculpture of all
sorts as well.
The Prado has one of the best collections of art in the
world. The fine paintings are not Spanish, nor are they
paintings of the Spanish scene or family. The walls of
Prado tell a story of European history in picture form.
One typical example is a portrait painted by Jan Brueghel de
Velours. The painting is of the interior of a collector’s
room, painted in 1617. The artist included a tiny toy
spaniel confronting a monkey in the foreground of the
painting.
In this same painting there is a small white woolly dog
which could be a bichon or a Maltese terrier sitting quietly
underneath a table just watching what is going on but taking no
part. HOW CUTE!
Artists have always been the recorders of their own
times. The artists tell us something about the dogs that
are still with us as well as about those that appear to have
been lost to us today. In one of Tiziano’s paintings done
earlier than de Velours, he included a dog that if the animal
existed today, would be a glamorous-looking, long-haired
Italian greyhound. One has to wonder, however, did this
dog truly exist during that time or was this only in the mind
of the painter.
The Italian greyhound was a favorite at court in both Spain
and Italy centuries ago and appears frequently in paintings in
the Prado. It has been noted that much to one’s surprise
in one case the Italian Greyhound is painted with its ears
cropped. This was quite unusual. Pugs looked fine
with their ears cropped, but the Italian Greyhound with cropped
ears? Once again I have to wonder if maybe some of these
models of dogs in these famous paintings are just from the
minds of the creator of the painting and not dogs that truly
existed during their times. On the other hand, it could
have been just an exceptional case and not the norm of that
particular era. I have not personally seen this picture,
have only read about others seeing it, but I have to admit the
Italian greyhound would look every strange with its ears
shortened.
It has been said that one of the most attractive paintings
of an Italian greyhound was of one that appears in the portrait
‘The Earl of Northampton’ by Pompeo Battoni in the Fitzwilliam
Museum, Cambridge. He was a large size for his period in
the mid-eighteenth century. At this time the Italian
Greyhound was really miniaturized. The portrait is said
to be of a beautiful specimen, with all the elegance and grace
of the breed.

Author: Connie Limon. Visit us at http://www.abouttoydogs.com and sign up
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